![]() There can be an earnestness that I find irresistible. And yet… why?ĭancing With the Stars is a series that I’ve, at times, watched religiously, sworn off completely, or dabbled in in spite of myself. She argues that you probably know her as an influencer. In the first episode, she doesn’t introduce herself as a person of current public interest because she was the poster child for wealthy entitlement, privilege, and delusion amidst a wild controversy. This season, Olivia Jade, whose parents Lori Loughlin and Mossimo Giannulli were implicated in the Operation Varsity Blues college admissions scandal, is a competitor. Other times, I’m not really sure what the producers think they’re accomplishing with this kind of stunt casting. Producers knew the public’s unsavory hatred for her. Painting her as the “crazy cat lady,” as if this was going to be some wholesome viewing experience, is another. ![]() Glorifying a breakout character from a docuseries that traded in animal abuse and made her a star because of rumors that she had murdered her husband is one thing. Last season’s casting of Tiger King’s Carole Baskin marked a new low. It’s also doubled, however, as a platform for redemption, opportunity to manipulate the public to their favor with self-serving clip packages and monologues, and dresses shamelessness up in bedazzled costumes.īristol Palin, Rick Perry, Sean Spicer, and Tucker Carlson have all performed. The show has a notorious history of troll casting-hiring disgraced and controversial public figures with the winking, mischievous idea that watching them struggle to do the Argentine tango amounts to good TV. “The show has a notorious history of troll casting-hiring disgraced and controversial public figures with the winking, mischievous idea that watching them struggle to do the Argentine tango amounts to good TV.” The whole night featured similarly stunning routines, all of which are based on horror films-not exactly what you’d imagine to be the strongest vehicle for Dancing With the Stars asserting its relevance again. Siwa goes in on the character work, managing to be a believable homicidal clown while skipping around a ballroom dance floor right up until the gruesome ending that had me squealing the first time I watched.īut here’s the thing: This wasn’t an anomaly. Then there’s the dance itself, an exceptionally choreographed combination of menacing and unsettling contortions with elegantly executed gymnastics, pirouettes, and technique. This year, Siwa came out as pansexual and is now the first celebrity in Dancing With the Stars history to compete with a same-sex partner, a progressive milestone for a series with a strong conservative base, but also such a long time coming that it is almost unbelievable that it hasn’t happened yet. The youths are obsessed, and, while many of us may not have been aware of her or her reach, she is shrewd casting for a series hoping to spike its level of awareness in the youth and social market. JoJo Siwa is an 18-year-old, very online powerhouse who turned a stint on the reality show Dance Moms into extreme YouTube popularity and eventually a juggernaut empire of rainbow and beglittered ostentatiousness and excessive enthusiasm.
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